Halfway into our 2019 US tour the theme seems to be snow. The sunny view from my hotel in Boulder, Colorado this morning is of gorgeous snow-covered hills. The view on our first tour day was a bit less welcome — the snowstorm in Toronto stayed with us for almost all of our drive to State College, Pennsylvania, and added a couple of hours to the already long trip.
Alison Mackay, double bass and program creator. Photo by Bruce Zinger
This was originally published on May 20, 2016.
Guest blog post by Ieva Lucs
To connect the inconceivable struggle and heartbreak of the Syrian refugee crisis with something as mundane as a cup of coffee may seem like an impossible task. Tafelmusik, Canada’s award-winning baroque orchestra, however, find themselves drawing that bizarre parallel in their new show opening in Toronto on Thursday.
by Patrick Jordan, viola Tafelmusik's performance of Alison Mackay’s latest creation, Tales of Two Cities: The Leipzig-Damascus Coffee House, at the Aga Khan Museum last week on Friday, December 9 was many things. It was on the one hand the culmination of the production of the video component of our upcoming DVD of the program. It was also and all of a sudden, one of the most moving and intense performances I have experienced in quite some time.