Oct 29, 2019

Get to know Keiran Campbell, cello

We are thrilled to welcome Keiran Campbell in his first season as a member of Tafelmusik’s core orchestra. We sat down with Keiran to learn a bit more about him.

Keiran Campbell, cello

When did you start playing the cello?

I started when I was eight years old, although I think I tried (unsuccessfully) to play a full-size cello that was almost twice my size when I was much younger than that.

Describe your first music gig

Sep 26, 2018

The Charm and Innovation of Boccherini

By Allen Whear, violoncello

On October 3 & 6 a chamber group of Tafelmusik musicians will perform Quintessential Boccherini as part of our Close Encounters series. We asked Tafelmusik cellist Allen Whear to share his thoughts on the appeal of Boccherini and the importance of the composer’s work for the cello.

Mar 26, 2018

My Instrument: Christina Mahler and her Vuillaume cello

In a previous issue of a Tafelmusik house program, Christina Mahler introduced you to the cello she plays in baroque repertoire, made by José Contreras c.1740. In our issue for Beethoven "Pastoral" Symphony, she introduces her second instrument, a later instrument made by Jean-Baptiste Vuillaume c.1840.

By Christina Mahler, cello

Oct 15, 2016

Further Listening - The Eloquent Cello

by Tafelmusik violist Patrick Jordan

Oct 5, 2016

In Conversation with Christophe Coin, cellist

By Andrew Eusebio, Marketing and Development Associate

French cellist and guest director, Christophe Coin, makes his Tafelmusik debut with The Eloquent Cello.  He took some time between rehearsals to chat with our Marketing Associate, Andrew Eusebio.

Sep 29, 2016

Behind the Musik: The Eloquent Cello

Here are the official program notes for The Eloquent Cello

Download the Program Notes | Download the Program Listing

Directed by Christophe Coin, cello
Oct 5-9, 2016, Jeanne Lamon Hall, Trinity-St. Paul's Centre

Sep 23, 2016

A Midnight Story: Haydn C-Major Cello Concerto

By Charlotte Nediger Every once in a while, there is a piece of music that has a specific connection to something in one’s life. That is the case for me and the Haydn C-Major Cello Concerto. Our younger daughter, Madeleine, went through a period of a few weeks shortly after she was born during which she would wake at 1:00 am in great distress. She wasn’t hungry or suffering from colic, nor did diapers need changing. She simply needed to cry. She’d had a difficult birth, and my theory was that she somehow needed to work that out, and this was her chosen hour. The rest of the day and night she was quite happy.