On October 3 & 6 a chamber group of Tafelmusik musicians will perform Quintessential Boccherini as part of our Close Encounters series. We asked Tafelmusik cellist Allen Whear to share his thoughts on the appeal of Boccherini and the importance of the composer’s work for the cello.
In a previous issue of a Tafelmusik house program, Christina Mahler introduced you to the cello she plays in baroque repertoire, made by José Contreras c.1740. In our issue for Beethoven "Pastoral" Symphony, she introduces her second instrument, a later instrument made by Jean-Baptiste Vuillaume c.1840.
By Charlotte Nediger Every once in a while, there is a piece of music that has a specific connection to something in one’s life. That is the case for me and the Haydn C-Major Cello Concerto. Our younger daughter, Madeleine, went through a period of a few weeks shortly after she was born during which she would wake at 1:00 am in great distress. She wasn’t hungry or suffering from colic, nor did diapers need changing. She simply needed to cry. She’d had a difficult birth, and my theory was that she somehow needed to work that out, and this was her chosen hour. The rest of the day and night she was quite happy.