Feb 18, 2018

What goes into a concert poster? Handel Alexander's Feast

by Tim Crouch, Marketing Department

With Handel Alexander's Feast just around the corner (Feb 22-25 at Koerner Hall), we're looking back at poster designs created at the top of the season. As always, our multi-talented Choir director Ivars Taurins provided some inspirational art to help guide the design process, and we're happy to share them with you!

The Family of Darius before Alexander - Paolo Veronese

Jan 15, 2018

Alison Mackay & Maryem Tollar invite you to Safe Haven

A special video invitation to Safe Haven from Maryem Tollar. Click on the image above to watch the video.

Jan 11, 2018

Safe Haven: Asylum seekers in the baroque age and modern day

by Tim Crouch, Marketing Manager

"you have to understand,
no one puts their children in a boat
unless the water is safer than the land."

That line, full of anguish, is from the poem "Home" by Somali-British poet Warsan Shire, who became London's first Young Poet Laureate. The full poem (copied below) is used in Tafelmusik's upcoming concert Safe Haven, an exploration in music, words, and images of the influence of refugee populations on the culture of their adopted countries.

Nov 26, 2017

What goes into a concert poster? Four Weddings, a Funeral, and a Coronation

You might have noticed a new crop of imagery for this season's concerts, designed by our friends at Sovereign State.

Nov 1, 2017

Mozart's Piano: The Fortepiano

The piano used in our performances of Mozart's Piano by fortepiano virtuoso Kristian Bezuidenhout was made by Thomas and Barbara Wolf in 1997 in The Plains, Virginia, outside Washington, DC. It is modelled on the work of the eighteenth-century Viennese maker Anton Walter, and has a keyboard range of just over five octaves (from FF to g'''). Knee levers are used to raise the dampers, and a hand stop operates the moderator (a piece of cloth that slides into place between the hammers and strings to produce a muted effect). Veneered in curly cherry, the case is primarily of spruce.

Sep 20, 2017

View from the Horn Section

By Andrew Clark, horn

Andrew Clark, horn Andrew Clark, horn

It is rare to find orchestral works from the baroque period that use four horns instead of the usual two. On those instances when it did occur, it was usually to mark a special occasion. It is therefore an honour to be part of the horn quartet in Tafelmusik’s A Joyous Welcome program.

Mar 6, 2017

Get to Know The Bernardinis, Father/Daughter duo

For our upcoming concert in April, Bach: Keeping it in the Family, we invited the father/daughter duo Alfredo and Cecilia Bernardini to co-guest direct this (almost) all-Bach program. Both have performed with Tafelmusik in the past but it's been a while since our last catch-up.

How did you come to decide to be a musician?

Jan 12, 2017

Intimate German Baroque Advanced Playlist

by Tim Crouch, Senior Manager of Marketing & Audience Engagement

We’ve put together a playlist of (most) of the music you’ll hear at Intimate German Baroque (Jan 19 – 22, 2017), featuring English baritone Peter Harvey and Jeanne Lamon, violin. It’s a great way to get into the spirit of the concert before you hear it live on stage. Since we are not including a recording of Böddecker's Sonata sopra La Monica, you’ll have to come to the concert to hear it. Enjoy!

Dec 15, 2016

Personal Reflections: Tales of Two Cities

by Patrick Jordan, viola Tafelmusik's performance of Alison Mackay’s latest creation, Tales of Two Cities: The Leipzig-Damascus Coffee House, at the Aga Khan Museum last week on Friday, December 9 was many things. It was on the one hand the culmination of the production of the video component of our upcoming DVD of the program. It was also and all of a sudden, one of the most moving and intense performances I have experienced in quite some time.